Ranisha Das

The Gallery

In the ever-evolving landscape of art and technology, the role of sentimentality remains a constant. “The Gallery” is an interactive prototype that visually delves deep into the intersection of these three domains, aiming to understand how technology can amplify the experience of art, especially when objects hold sentimental value. Rooted in the experiences of emerging artists, the study seeks to bridge the communication gap between artists and their audience, leveraging the power of digital technology.

The primary objective was to discern the nuances of human memory and mind, particularly how interactions with art, both in physical and digital mediums, are stored as memories. A comparative study was conducted to understand in which ways the experience of physical artefacts and the corresponding digital prototype was affected. This was done to understand the user experience of the audience and to contribute to the broader discourse on the role of technology in art and human-computer interaction.

Storytelling in Art: The research underscored the pivotal role of storytelling in art. It has the power to enhance the depth of human interaction, facilitating a richer understanding of artworks.

Digital Mediation: The comparative analysis revealed invaluable insights into user experiences with both physical and digital mediums. It emphasized the potential of integrating richer visual animations, seamless transitions, and detailed information about artworks to captivate and immerse the audience.

Empowering Artists: The research highlighted the challenges faced by new artists, emphasizing the need for design interventions to empower them to share their narratives more effectively.

The project involved hands-on sessions of crafting jewelry, followed by the meticulous process of creating digital prototypes. Each step was designed to bridge the communication chasm between artists and their audiences. The prototypes underwent rigorous testing, with participants interacting with both physical artifacts and their digital avatars.